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  4. Texas Vision | Michael Ennis

All the Tuna regulars pass through in this new edition, and they are entertaining as ever. Jaston Williams, Joe Sears, and Ed Howard, who collaborated on the previous two Tuna comedies, have lost none of their ear for the sentiments so specific to small-town Texas or the colorful phraseology that blooms there, and they stuff the script with picturesque remarks.

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Speaking for every rural Texan who's ever sought liquid relief from a Lone Star summer, Arles Struvie declares, "God bless whoever came up with instant tea. Of course, so much of the pleasure here has to do not only with how the lines are written but how they are delivered.

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Since Mssrs. Sears and Williams are once again embodying all the characters who inhabit Tuna, they naturally bring to this new production all the richness of expression and gesture that so distinguished these figures in the previous shows and imprinted them on our funny bones. Once more, Williams makes Didi Snavely the most hilarious misanthrope on the planet; shuffling across the stage like a drugged zombie, croaking out her lines in that deep death rattle of a voice, her eyes narrow slits and her mouth tilting dangerously to the right echoing her politics , she's a crank soldier in her own Private Idaho.

She's a hoot to be re-acquainted with, as are Williams' Helen Bedd, whose mousy squeak and excitable leg always popping up are a portrait of Hormones in Action, and his Arles Struvie, whose devotion to his new beau, Bertha Bumiller, puts the good in good ol' boy. For his part, Sears reminds us again through his portrayal of Bertha how full that character is, of humor and pathos and surprises. He plants her on stage in one of those Bertha stances we've come to know so well — left arm cocked on hip, right hand poised delicately on her breast, just over her heart, eyes cast upward, beyond that implacable globe of hair, mouth strung like a high-tension wire — and we see every martyred mother figure ever to be stung by a thankless child.

And the accuracy of it makes us howl. But when the character is within real reach of romance, Sears' portrayal of her tentativeness, her fragile hope alternating with a sense of her own unworthiness, takes on a deeply personal air, and it brushes against our heart. Every scene with her is a delight. But then, to be fair, that can be said of every one of Sears' creations, and Williams' as well. The fact of the matter is, these men are so accomplished as actors, with such an elegant understanding of and flair for comedy, and they have invested so much in these characters for so long — almost 17 years!

Still, this spin around the old hometown is more than just another helping of laughs from the usual suspects. While the creators allow us to wallow in the familiarity of it all, to enjoy the unchanging nature of Tuna — something that we value highly in small towns — their real agenda in Red, White, and Tuna is change, the kind of change that affects even the third smallest town in the state, and the people in it. The play takes place during a high school reunion, one of those events that lead people to measure who they are today against who they were in their teens.

Among the previously seen characters, some have undergone significant changes. Stanley Bumiller, the surly anti-social j. He's still surly, but he's social.

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Meanwhile, sister Charlene, a whiny wallflower in the earlier plays, has finally found love and how to make it — she's in the family way when we see her here. Two new characters, a couple of Tuna expatriates who venture back for the reunion, are fixated on change. Richardson, again writing on the Romantic Times Book Reviews Web site, termed this a "topnotch romance. The first volume of the series is a "fast-paced, exciting tale of romance and reunion," according to Romance Reader Web site critic Jean Mason. All three books involve the adventures of Lord and Lady Chilton and their three children.

Caught by the turbulence of the French Revolution , the Lord and Lady, unable to escape themselves, manage to get their three children back to England, supposedly to be in the care of the children's grandparents. However, all of the children are torn from their backgrounds. The first novel begins decades after the Revolution and features Alexandra Ward, who has recently arrived from America and now begins to suspect that she might be an heiress.

Robin, writing on the Romantic Times Book Reviews Web site, thought this "Anastasia-esque Regency-set romantic mystery is another example of [Camp's] superb talent. Silberstein noted, "provides charming entertainment. Attractive, she soon is made pregnant by the son of her employers. She learns to take care of herself on the street, has a baby, Rosalind, and refashions herself Marianne Cotterwood, a comely widow invited into fashionable society. Mary Anne has turned herself into a quick thief and is pursued by more than one patrician male seeking excitement.

Romantic Times Book Reviews Web site contributor Robin commented: "Readers will surely be delighted by the love story, villains, the carefully detailed background, and the hints of danger. Robin observed on the Romantic Times Book Reviews Web site: "Readers will admire the bold outlaw and the pro-active Nicola, even though an astute reader might guess at the secret he is trying to hide. Other series from the productive Camp include the "Aincourt" Regency books and the "Moreland Family" Victorian series. The former series deals with the doomed Aincourt family, cursed never to know happiness.

A Publishers Weekly reviewer called the first volume in that trilogy, So Wild a Heart, "an exemplary read.

The "Moreland Family" series features various members of this eccentric family and opens with Mesmerized, featuring the clairvoyant investigator Olivia Moreland in a book that "shows the ability of love to help people overcome something out of the ordinary," as Robin wrote on the Romantic Times Book Reviews Web site. Booklist contributor Mosley felt this "delectable paranormal offers a double helping of romance. Romance Reader Web site contributor Tracy Merritt called Beyond Compare "a fast paced adventure, mixed with suspense and a bit of steamy romance," while Romantic Times Book Reviews Web site critic Robin termed Winterset a "chilling mystery.

Publishers Weekly, January 8, , review of Suddenly, p. Authors on the Web. Cite this article Pick a style below, and copy the text for your bibliography. September 25, Retrieved September 25, from Encyclopedia. Then, copy and paste the text into your bibliography or works cited list. Stephen F. Austin, hallowed as the Father of Texas, was the most important of the empresarios extended grants by the Mexican government Mexico had won independence from Spain in and renewed many of the Spanish grants to bring settlers into Texas.

Santa Anna adopted a policy of intimidation against the Texans, sending troops to enforce the collection of customs duties. The crackdown quickly radicalized the statehood movement into an independence movement, and full- scale war became inevitable.

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Of course, virtue and love of freedom prevailed, and the snake was driven from the garden. In , the state constitution of Coahuila y Texas restricted slavery by prohibiting further importation of slaves and emancipating at birth any child born to a slave; Texas settlers quickly learned to circumvent the first restriction by nominally freeing their slaves before entering Texas, then forcing them to sign life-time employment contracts at a subsistence wage.

Austin reflected the attitude of many Texans on the issue.

Hard-Headed Texan (A Little Town In Texas) (Silhouette Intimate Moments)

He acknowledged that the institution of slavery was an "evil. In he wrote the governor of Coahuila y Texas that without slavery, Texas "cannot expect colonists with large and competent means, nor can we have hands for the cultivation of Cotton or Sugar, and consequently these fertile lands, instead of being occupied by wealthy planters, will remain for many years in the hands of mere shepherds, or poor people…". But a year later, Mexican policy-makers, suddenly alarmed at the increasingly assertive American presence in their buffer zone, prohibited further immigration into Texas.

As an additional deterrent to Anglo settlers, the new law banned the importation of slaves, and limited contracts of servitude to ten years. As Santa Anna marched on the Alamo, he wrote back to Mexico City: "Shall we permit those wretches [slaves] to moan in chains any longer in a country whose kind laws protect the liberty of man without distinction of caste or color? Wharton, who had chaired an convention of Texas settlers, in turn protested, "With a sickly philanthropy worthy of the abolitionists of these United States, they [the Mexicans] have… intermeddled with our slave population, and have even impotently threatened… to emancipate them…".

But the facts leave little to dispute about the effects of the Texas victory.

Texas Vision | Michael Ennis

With this unambiguous endorsement, an army of slaveholders advanced on Texas in the decades following the revolution. In , the slave population of Texas was roughly — about one tenth of the total. By the outbreak of the American Civil War in , the white population of Texas had grown fourteen-fold to ,, while the slave population had increased almost fifty times, to , As Randolph B. Seminal Texas historians George P. Garrison writing in and Eugene C. Antebellum Texas was the booming frontier of the old south, its planter class too new and raw even to borrow the elegant neo- classical architectural veneer of the Deep South.

Painting, never significantly patronized in the Deep South, was less so in Texas. A few artists stayed. French immigrant Theodore Gentiltz, who had studied cartographic drawing in Paris, came to Texas in to help land promoter Henri Castro lay out the Alsatian community of Castroville. English artist Eyre Crowe, traveling in Virginia in as secretary to the novelist William Makepeace Thackery, described an incident in Richmond in which he attempted to sketch a slave auction and was driven away by an angry crowd.

It is simply to illustrate that Texas history, more so than most history, is a looking glass in which its subjects see themselves as they wish to be, not as they are. The image that Texans and true believers in the Texas myth throughout the world perceive of their past — and thus, of their present and future — is not merely tinted with rosy nostalgia, but is deeply distorted with fundamental misconceptions. The challenge for generation after generation of Texas artists has been to peer through the looking glass of history and find the scintilla of truth. In the census Texas had ranked twenty-seventh among the states in acreage under cultivation; in Texas would rank rank first in the nation.

Buffalo had already vanished from the plains and prairies by , as had the Indians who relied on them for sustenance. The great Trail drives of Texas longhorn cattle to the railheads in Kansas, which had begun at the conclusion of the Civil War, were coming to an end, and barbed wire had begun to close off the open range of lore and legend; in the Texas Legislature passed a law making fence-cutting a felony.

  1. Series: A Little Town in Texas.
  2. Selected Publications.
  3. The Third Visit to Tuna Still Yields a Profusion of Delights.
  4. The Right Stuff.
  5. Despite the growth of the cattle industry, cotton remained more important to the Texas economy; the value of the cotton crop throughout the era of the Cattle Kingdoms was typically fifty to one hundred percent greater than the value of beef cattle. By the beginning of the twentieth century Texas had more miles of track than any other state.

    The German federation had enjoyed a cultural florescence in the first half of the nineteenth century, but overpopulation, crop failures, and political repression prompted the exodus of millions of German farmers and intellectuals. The preferred destination was America, and more specifically, Texas. They brought with them a world view often quite different from that of the German immigrants, but they were brought to Texas by same potent myth of place.

    In Germany, perhaps the most widely-read ode to Texas was Texas und seine Revolution Texas and its Revolution , by Hermann Erhenberg, who fought in the Texas revolution before returning to Germany to teach at the University of Halle.